Ruth Lilly

Ball point pen on the morning newsprint
To Autumn
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,–
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
John Keats

Pat D said:
Jan 02, 10 at 3:35 pmHi Larry, I’ve always loved Keats’ odes….so here goes….
Ode to March
A skeleton draped
in a wool coat
the sweet gum tree groans
with the weight
of the white
March snow
clumped on her limbs;
an involuntary muscle pops
off wads of white
silent explosions.
The sweet gum tree
rises glamourous
from her death.
Patricia Dougherty 2004
Larry via blackberry said:
Jan 02, 10 at 4:42 pmBeautiful Pat, thank you for sharing that.
I thought this Keats fit so beautifully, not just because of her association with poetry or as a metaphor for the end of a life, but the seeds planted over a lifetime of philanthropy to insure perpetual springs.